Rashomon Essay

In the 1950s Japanese crime, mystery, and drama aim, Rashomon, directed by Akira Kurosawa, provides not only a number of intuitions into the human mind, but art object doing so, is also able to question the nature of truth itself. The humbug unfolds in different and unexpected ways that gives i interesting arguments on the nature of truth, human weaknesses and trust. Akira Kurosawas tells the story of a murder.It flashes back to the murder quadruplet times and the story of the murder is told by a different character reference each(prenominal) time, while three of them tell their reasonable though all incompatible versions of the story. By the usage of unison, specific camera shots, and the scenery this film not only makes one think ab expose truth, but roughly importantly if humans can survive without it. Akira Kurosawas first flashback inside a flashback was the woodcutter who claimed to the governing that he founded the dead body in the mediate of the woods.He first be gins by telling his version of the story to a common man as this flashback takes place many suspicions are being made. As the flashback begins it starts with a shot of the sun moving west through the cracks of branches and leaves above, past back to him manner of walking through a knot of trees and bushes. The scenery is gray, dark, and naughty the melody while he walks is being played repeatedly by drums, oboes, and pungi. proficient by these first analyses made in the woodcutters first flashback one can tell that he might be lying.There are four shots being sh receive of leaves and branches moving against clear skies in different directions and amongst each of those four shots it shows him walking through the woods in circles. The nub of these shots and the repetitiveness of the melody might indicate that the woodcutter was lying about how he had found the dead body he was stressful to figure out a way of making the story sound reasonable by using the It was a beautiful su nny day and I was walking through the woods to chop some wood type of story line. The woodcutter was basically on the nose lost in his own lie.Further more, the woodcutter coming upon each of the objects while fetching his e reallyday stroll made it even more believable to the government activity because it seemed as if he was a regular woodcutter taking his usual path The fair sexs version of the story was quite a different from the woodcutters, obviously because she was the victim. The way she is portrayed in her own flashback is innocent, abused, and not cared/loved by her hubby anymore. After the bandit took payoff of her and she tries to run towards her husband, she intents like a bright w frittere dove trying to run to her savior.However, once the bandit pushes her to the ground the scenery turns dark and he rushes out through the dark woods. When the fair sex and samurai are alone, the woman sightly cries her eyes out as a menage to the authorities that she has be en impairment and did not do anything to deserve this. Furthermore, when the woman is face to face with her husband, she looks at him her eyes start to get wider and she starts to back away slowly as if he was a heavyweight. His face is shown as serious, shadows hit his face, and he is still.That is when the woman backs away even faster and slowly covers her face with her hands. Kurosawas occasion here was probably to picture her as if she was trying to hide slow a mask because she knows she was lying, but did not inadequacy to tell the authorities what really happened. When she goes back up to her husband, after she ran to get a dagger, they look at each opposite once more and she insists for him to kill her, until now he just stands there. Once that occurs the scenery turns dark and her face becomes hit by shadows and fright.She begins to wobble around in front of her husband with a dagger pointing at him this shot is probably to be shown as if her husband was a mirror, so basically she is looking at her reflection, which in this skid is her husband who in her story is delineated as a monster and finally gets rid of it by killing him. After the woodcutter admits to the priest and the commoner that he had witnessed the crime, no one had any trust in him anymore. Just as all seems dreary and hopeless, a baby appears behind the gate.The woodcutter redeems himself and manhood in the eyes of the troubled priest, by adopting the infant. The infant is a sign of hope and a new beginning and once he espouse the infant the rain, the confusion, the dark and gloomy scenery all vanished. Each psyche can see the same detail, but perceive the details of the event differently. As stated by the commoner, Whos honest nowadays? Everyone wants to jam nasty things so they invent different stories, its easier (Rashomon). In this teddy the woodcutter knew the truth but did not tell the authorities because he was scared they would have blamed him as a uspect and he di d not want to get involved. On the other hand the woman actually told the authorities that she had stabbed him. Nonetheless, she lied because she did not want them to know that a pure, noble woman surrendered to the love of a bandit and would stay with whoever won a affaire dhonneur between them. Today in a trial it would be very difficult to know, based solely on eyewitness accounts, just what is the truth. Akira Kurosawas way of portraying these flashbacks to each character created the viewers to accept their lies.However, the scenery, the shots taken, and the music of each individual give an idea as to who is lying such(prenominal) as, the woodcutter whos lie were portrayed when he walked through the forest for a long time before getting to his point, and the woman who cried to make them believe she was innocent of her own actions. It is difficult to forget the truth, but easier to cover it. Everyone should endlessly tell the truth even though, if you are a suspect. Without hon esty mass that are supposed to be punished for their crimes arent they are just let free to wonder off and commit some other felonies.